Two lengthy documents: the first DS, 28 pages, 8.5 x 11, November 17, 1944, in which Chandler makes an agreement with Paramount Pictures to write six scripts over a period of three years “suitable for reproduction as motion picture photoplays of feature length…The parties acknowledge that the Writer has heretofore written certain literary material known as Lady In The Lake. It is agreed that said material shall be subject to the terms.” Signed at the conclusion by Chandler and two Paramount representatives. The second DS, 14 pages, 8.5 x 11, May 2, 1946, in which Chandler agrees “promptly to submit…any and all literary material which you may originate, compose or prepare…which by definition shall include any new screen adaptations or screen treatments of existing material written by you, and all ideas as the bases of motion picture photoplays which you may conceive.” Again signed at the conclusion by Chandler and two Paramount representatives. In overall fine condition, with expected document wear. Accompanied by a custom-made clamshell presentation case. Chandler had begun writing for Paramount in 1943, his first project being the classic Double Indemnity. Despite the terms outlined in these contracts, Chandler only made three other films with Paramount—And Now Tomorrow, The Unseen, and The Blue Dahlia. Chandler earned Academy Award nominations for Best Writing for both Double Indemnity and The Blue Dahlia. An excellent pairing of lengthy documents vital to the establishment of Chandler’s career in Hollywood. RR Auction COA.
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