Important French painter and sculptor (1834–1917), one of the seminal figures of Impressionism, best known for his images of dancers. ALS in French, signed “Degas,” one page, 4.25 x 7, July 26, no date but before 1900. Letter to Charles Deschamps, manager of Paul Durand-Ruel’s London art gallery. In full (translated): “I introduce you to your compatriot Mr. William Stott, my friend. You must certainly know him by reputation. Be so kind as to extend to him a large measure of your consideration.” A light vertical fold through first letter of signature, a uniform shade of toning, a bit of trivial soiling, some stray ink flecks and a couple words a bit light due to decreased ink flow, otherwise fine condition.
By the late 1880s, Degas had already received international recognition as an important artist. In this letter, he introduces the burgeoning British painter William Stott-of-Oldham to Charles Deschamps, manager of the Galerie Durand-Ruel et Cie in Paris. Exhibiting Impressionist works at his own galleries despite critics’ initial resistance, dealer Paul Durand-Ruel essentially created the market for Impressionism, establishing the biggest names in the movement, including Degas, Manet, Monet, Pissarro, and Renoir. A good word from one of his highly respected artists had the power to make a newcomer’s career, and it did just that for Stott. In 1889, he held his first one-man show at the Galerie to great critical reception, pushing him into the international art world. The established artist speaking out on behalf of an up-and-comer, this is a wonderful note involving three major figures in art history. Pre-certified John Reznikoff/PSA/DNA and RR Auction COA.
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